Mun Da Han Lean Oaivámuš and Vuolgge Mu Mielde Bassivárrái get a most sensitive reworking by Phono and Roger Ludvigsen, Fred Ellingsen and Thomas Sonnenberg respectively. Both reinterpretations favour intense electronic treatments inspired by the rhythmic tradition of Boine’s music, although developed in different ways, to provide a much effective backdrop to her voice. ( 2002)